The principal character, Hamlet, is almost immediately recognized as someone that has more of his character hidden underneath the surface that impels them to dig for.
Hamlet spends the vast majority of the play ruminating over philosophical questions related to the typical themes of revenge tragedy; action, murder, revenge, but also the purpose of theatre, philosophical questions of life, family relationships and the importance of rituals such as funerals.
Therefore, Hamlet is essentially about the attempt to hold a mirror up to human nature and work towards expressing the inexpressible and scrutinizing the inscrutable aspects of human experience.
Hamlet as a whole is primarily concerned with exploring our relationship with death; that our fear of death comes from the notion that there must be something else, and therefore from the very fact that we cant ever know for sure if there is.
For this reason theatre is presented as something potentially unsettling as it reflects the fear that life is nothing more than an act in some enigmatic drama. He wants to give death, which in the play is messy and sudden, form and order; he wants to rehearse it like a play.
All of which mirrors the aspect of human nature where we want things categorised and understood, whilst his failure to create meaningful death, also mirrors the fact that there are things that we cannot categorise and understand.
The effect of this was that it allowed the emphasis of the contrast between truth and pretence, reality and illusion. The plays and fictions of Hamlet fit inside one another until the boundaries between reality and illusion become incredibly blurred.
The major themes that therefore arise from this blurring are the conflicts between truth and illusion, honesty and pretence, reality and appearance and the boundaries between youth and age, audience and actor, and most importantly the inescapable boundary between death and life.
The play itself constantly hovers between reality and pretence, and at the zenith of its dramatic tension; during the performance of The murder of Gonzago, the boundaries of identity between Gertrude and the Player Queen and Claudius and the Player King creates the merging of pretence and reality, momentarily, into one confused band.
Hamlet himself is the most consciously theatrical character and is the most affected by the forceful metatheatricality of the play. But perhaps it is the very fact that Hamlet does not just act do something straightaway, as the audience would have expected the protagonist of a revenge tragedy to do, that is most important.
If his father, who was a great man, can be forgotten so quickly upon his death, then to Hamlet life seems rather pointless. Through his insistence on the theme of deceit throughout the play, he comments on the complexity of human nature and the duality of man as it highlights the struggle between truth and pretence.
This is seen in the motif of doubling throughout the play. In the Murder of Gonzago, Lucianus not only represents Claudius killing the King but also Hamlet, reflecting the fear that to kill Claudius, Hamlet has to become him. The doubling of the word acting goes along with the doubling found in the very idea of performing; the distinction between the false self the part one is playing and the true self.
Everything in Hamlet works in pairs; for example the double image of Lucianus in the Mousetrap scene as, both Young Hamlet and Claudius, Claudius as the antithesis of King Hamlet, Rosencrantz and Guildenstern as a pair and Gerturde and Ophelia.
But this doubling comes to its most obsessive at the climax of the Play with the rhyming couplets spoken by the Player King and Queen in the Murder of Gonzago.
All of this doubling reflects the core of what haunts Hamlet, and that is the fear of the duality of man. Although Hamlet sees nobility of man, the beauty of women and the majesty of the universe his imagination dwells on bones, the nasty, sty the prison.
Therefore he cannot bear to bring his love to fruition and thus shuns marriage and procreation, which is where the Ophelia subplots illuminates the central theme.
Hamlet denies his own nature, declining to act out the part that life purposes him.HAMLET “Hamlet” one of the remarkable plays by William Shakespeare, the play is about the feeling of cultural identity which is presented through the isolated personality character of Hamlet in the play, the conflict of responsibilities and respect towards his father and the society.
Good Hamlet Essay topics are not difficult to write as long as one has a thorough understanding of essay writing. Argumentative essay topics on hamlet are many and across different topics. You can focus on the literal aspects, characters, the plot, and theme of the play. Hamlet himself is the most consciously theatrical character and is the most affected by the forceful metatheatricality of the play.
Hamlet spends the entire play struggling between the ambiguities of the numerous connotations of the word “to act”; “to do something” and “to pretend or perform as an actor”. Apr 14, · During the play he is to keep a critical eye on the King and following the play he is to confer with Hamlet and corroborate or deny that which Hamlet himself observes during the play.
Explore the different themes within William Shakespeare's tragic play, Hamlet. Themes are central to understanding Hamlet as a play and identifying Shakespeare's social and political commentary. Mortality.
The weight of one's mortality and the complexities of life and death are introduced from the beginning of Hamlet.
Feb 28, · The obvious but simple answer is that if he did not take his time, we would have 'Hamlet: The Short Story' instead of 'Hamlet: The Classic Play'.
There are, however, valid reasons for Hamlet's slow behaviour.